Since it was decided in the courts on October 30, 2007 that Odex was allowed to find more information to back up its arguments, it makes one wonder what more proof Odex could possibly find to incriminate scores of youngsters accurately enough beyond reasonable doubt to demand information from the Internet Service Providers (ISPs). After all, they've flown in the CEO of BayTSP, the very company who's been doing all the technical harvesting for them, who holds the crux of the validity of their argument. After all, you can't demand information about IP addresses or send settlement demands to the holders of IP addresses if you can't establish a link between IP addresses and the supposed infringer at a screenshot point in time, can you?
Or can you? Like it has been previously mentioned, it's fully possible to spoof someone else's IP address, but a more pressing issue is the ability for people to leech off another person's Internet access and perform acts absolutely anonymously by bringing their computer/laptop within range of another person's wireless connection. Catching people who piggyback wireless connections by itself as is as complicated and difficult as finding a stick insect in a lumber factory: even if you manage to take a picture of your target's location chances are it'll have noticed your presence and ran like hell. And it still doesn't solve the problem of relying on IP addresses as a sole identification method. Piggybacking is an extremely touchy issue that even the most skilled of investigators can't always prove actually happened.
So how does this add up for BayTSP, who claims to "only collect information that downloaders make available to everyone else on the network"? Unfortunately for BayTSP, it's another obstacle for them that just raises the burden of proof higher than it already is. And now that Odex has declared that it will no longer demand customer information directly from the ISPs but will rely on the ISPs to essentially police the Internet and send letters in their stead, one can't help but wonder if Odex realises just how far it can go armed with just IP addresses alone.
Speaking of which, let's bring the issue of IP addresses one step back in time to when this whole furore started, when Odex was happily axeing SingNet and StarHub in court. Being a StarHub user myself, issues with shared IP addresses crop up rather often -- especially when it comes to attempting to edit Wikipedia articles only to find that the IP address has been blocked for vandalising an article that most people didn't even touch.
Assuming that the adolescents Odex had targeted included individuals who were suscribers of StarHub Online broadband services, this brings up another can of worms -- if Odex relied on customer information and IP addresses alone to pick the people to penalise, it's fair to assume that they had to have some demographic parameters to keep in mind during their selection process. If we assume that, we can guess that Odex simply ascertained that they were attacking far likelier targets in the form pre-teens and teenagers as opposed to single mothers and dead senior citizens. But if that was the case, who's to say that all the lettered kids did in fact download fansubs? After all, it's a known fact that the anime following in Singapore is a pretty exclusive niche that no one had cared about or noticed until now, so there's a likelihood that some teens who got lettered weren't even supposed to be involved in the first place. That, and not everyone who received the Odex letter has actually gone to their offices to settle.
So is Odex even sure that in they managed to hit the right people even in the wake of their first crusade? It's another "who knows?" query amidst the silent aftermath of the Odex saga, but in the meantime there's another issue that comes to mind, this time on a global scale.
Not too long ago, Japan had been seen crying to the United States in an appeal to ask their citizens to stop "illegal Net releases of anime". Conspiracy theories and arguments between fans and the animation companies aside, it's notably surprising that Japan never brought up the issue on such a level before the whole Odex saga started, but let's take a step back and think about it.
Japan is appealing to America to stop illegal Net releases of anime. Their reasoning is that fansubs hurt their animation industry. According to a Japanese anime site, the animation industry has also seen three consecutive years of growth.
So Japan is appealing to America to help curb the negative development of an industry that's been showing nothing but positive development.
Wait, WHAT?
That's a seriously warped situation there, even from the perspectives of laymen like us. If you can't even trust your own data, whose can you trust? Odex's data that says Korea's animation industry is dead even though it's alive and kicking, and that Japan's anime industry is bleeding to death?
It would appear that for now, the animation companies seem to have agreed with this rather paradoxical statement and are fighting the battle for Odex -- something that they have declared to do should Odex fail in its appeal to harvest IP addresses.
But wait -- if Odex had declared that they would rely on their online warning system and the ISPs to send litigation letters for them instead of demanding customer information, why are they even continuing to fight for the customer information from PacificNet suscribers? (Good grief, another can of worms.)
Battles may be won and lost now, but until the questions of the public can be answered by those who can answer them, the war is far from over.
Monday, November 12, 2007
Thursday, October 25, 2007
Oh where, oh where has Odex gone? A gentle informative reminder to the local world out there
As of writing this, it's been exactly 23 days since Odex tried to drag PacificNet back to courts over the release of customer information regarding a thousand or so IP addresses that Odex claimed to have been downloading anime fansubs. For the benefit of those who've forgotten or are completely new to this (the latter of which I'll address once again later during the length of this entry), I'll explain some of the definitions and backstory to this.
Until early this year, Odex was a relatively unknown organisation, but it has not long ago been one of the few words hanging around everyone's lips when latest local issues came into discussions. Odex is one of the few distributors of Japanese animation in Singapore, and since early 2007, Odex had sparked off a legal campaign against anime fans downloading "fansubs".
What are fansubs? The word fansub essentially derives from "fan" and "subtitling", meaning anime that has been obtained by fans and subtitled according to their own translation, linguistic understanding, et cetera. But Odex has been claiming that these fansubs -- and the people who download them -- are in fact guilty of copyright infringement.
Odex's method of operation was simple: they hired an American company called BayTSP to hunt down IP addresses from BitTorrent, one of the more popular file-sharing applications currently available. They then went to the Internet Service Providers (ISPs) whom these addresses fell under, demanded customer information on all the IP addresses they harvested, and sent legal threats to the customers demanding that they settle, or be dragged to court for the crime of copyright infringement. Most of the recipients of these letters were pre-teens and slightly older adolescents.
Naturally, this sparked off a wave of anger and outrage at Odex; who were they to demand exorbitant fees of several thousand -- as Odex claimed it had the right to demand -- from children who didn't even have a job? It wasn't until Odex failed to get customer information from one ISP, PacificNet, that the onslaught pretty much stopped. The judge ruled that Odex was only the exclusive sublicensee of one anime title, and therefore had no prosecuting power. They also lacked enough concrete evidence to genuinely prove these kids guilty. Odex decided to appeal this decision, and brought in the CEO of BayTSP to explain his company's harvesting methods, as well as representatives of Japanese anime companies to back up their argument... which brings us where we are today.
Before we continue, I'd like to say right here, right now that I personally am no fan of anime (preferring the American brand of cartoon animation), but the whole copyright conundrum is something that I've been following for a good while now. Brushing aside the issues of Odex's actual dubbing quality, and the public relations backlash that Odex has had, let's take a REAL look at the truth behind all this legal warfare.
So claimed by the Anti-Video Piracy Association of Singapore (AVPAS), Odex has been authorised by AVPAS and the Japanese companies in question (including Toei and TV Tokyo) to legally demand settlement fees from people guilty of copyright infringement. Disregarding how old these "infringers" are, one must ask a question: Are these people even guilty of copyright infringement in the first place?
The whole gist of copyright law is to prevent people from taking ideas from other people and call it their own, or sell it as their own for commercial value, as stated under the World Trade Organisation TRIPS Agreement. This pretty much isn't what fansubbing, OR downloading fansubs is -- you don't see the fansubbing group Animesuki claim fees for their fansubs, do you? Neither do they toot their own horn and say that THEY did the animation. The same thing goes for the downloaders themselves; no money has been made out of fansubbing. No money is INTENDED to be made out of fansubbing.
Can it be called stealing, then? Singaporeans may be familiar with a recent campaign from the Intellectual Property Office of Singapore (IPOS), that "filesharing is not sharing, it's stealing". But the definition of stealing indicates that when you steal, you prevent someone from using the item which you're stealing. Which is, in fact, not the case -- both the provider and downloader have copies of the fansub which they downloaded.
You might think that still, the whole idea of "not paying" for something you want is wrong by principle. And that's perfectly reasonable, too. But there is a second side to the story that needs to be told before the parents start smacking their children's backsides for denting the industry.
Second side?
Yes, a second side.
AVPAS's site declares that "In the US, companies that have taken legal action against downloaders have typically been awarded hundreds or thousands of dollars in statutory damages for each infringing work downloaded, in addition to recovery of their legal costs and expenses from these downloaders." You might not notice it, but the truth is that there is a lot of untold fact that AVPAS forgot to mention.
As of now, the only companies that have taken legal action against downloaders in the US are record labels, all falling under the wing of the Recording Industry Association of America (RIAA) as well as a whole bunch of other similarly titled and purposed organisations worldwide -- CRIA (Canda), ARIA (Australia), IFPI (International, based in the UK) -- all fighting for the copyrights of the music artists they say they represent, and rightfully demanding "evil, hard-bitten criminal scum" (as put by "Weird Al" Yankovic's tune 'Don't Download This Song') to pay up or be legally dragged to court. Sounds like Odex, you might say, and you probably won't be far off the mark, considering that AVPAS mentioned US companies taking legal action against downloaders and the RIAA's the only company that's been doing just that. So what's wrong here, you might ask.
The actuality is that the RIAA has, besides children, been suing -- are you ready for this? -- disabled people, single mothers, university students, and in really extreme cases, dead people and families without a computer to speak of. How did they do it? By harvesting IP addresses, of course, and sending legal letters to the families involved, using a company called MediaDefender to do the reaping work for them by taking screenshots in filesharing applications to show that files were flowing to or from a certain IP address. They then look for these families, and demand settlements of hundreds to thousands of dollars, with the threat of dragging them to court if they didn't settle. That sounds really bad, you might say, but surely these people wouldn't be sued in the first place if the RIAA didn't already have conclusive evidence against them!
The truth?
They don't have it. The RIAA has never been able to prove that those people ever did download music, or in their recent cases, made songs available for download, which they consider to be copyright infringement too.
Most of the people who got RIAAed have settled, but there have been a few who did contest the RIAA's demands, and in most -- if not all -- of these cases, the RIAA always claims with expert backing that they "detected an individual" from a unique IP address; therefore they proved that a unique individual downloaded/uploaded music files that they owned the copyright for. This is where the logic starts becoming fuzzy and odd. What the RIAA saying is that they proved that an individual was using the computer to download/upload files by IP address alone. That's like saying you can prove who's driving a wanted car with tinted windows simply by taking a snapshot of the car! And what if the car was stolen? Does the original owner of the car become liable, then? RIAA logic states that since they consider uploading files for download is copyright infringement, you can be held liable for that, too!
You might have a point, you'd say, but aren't IP addresses unique for each computer? Hardly. There are ways of IP spoofing -- masquerading as another IP address to conceal identity, and experienced hackers are fully capable of doing it without leaving so much as a trace behind. You might not consider that concrete reasoning -- and you wouldn't be alone; the RIAA themselves have attempted to shoot down arguments like the one above. They managed to successfully demand $220,000 in USD from Jammie Thomas, a single mother liking in Duluth, Minnesota, after her lawyer failed to convince the jury in the court that Ms. Thomas could have been a victim of hacking, IP spoofing and other secret activity even she wasn't aware of. The RIAA insisted that Ms. Thomas made songs available for download, even when US copyright law never actually mentions that making files available for download constitutes as copyright infringement.
Of course, that's what the RIAA believes, or rather, what they want you to believe.
The truth is, the RIAA themselves have been using IP spoofing in their campaign to disrupt peer-to-peer (p2p) filesharing, or rather, MediaDefender has.
On September 14, 2007, an employee from MediaDefender forwarded over six thousand emails to an unstable Gmail account, which was invaded by an anti-MediaDefender group, calling themselves the MediaDefender-Defenders (MDD). Some of the emails indicated that MediaDefender had been hired by the RIAA to upload fake and corrupted versions of the files they owned the copyrights to, in order to disrupt the activity on p2p communities. MDD went into MediaDefender's database, which revealed that MediaDefender in fact had uploaded over 13.6 million "decoy files" to filesharing networks. Some of the other emails indicated that to do this, MediaDefender also had to spoof five million IP addresses to prevent their decoy uploading campaign from being blocked. In fact, some emails also mentioned that IFPI complained that a good handful of their cease-and-desist settlement letters were sent to the IP addresses from MediaDefender uploading decoy files, and that it was causing a lot of IFPI's time and effort to be wasted.
What does it all mean, you might be asking?
It means that the RIAA can't tell between the files that MediaDefender uploaded as decoys and the files that the real uploaders are putting up. Neither could they identify that the IP addresses that they had sent letters to were actually IP addresses spoofed by MediaDefender to upload decoy files. An issue can immediately be brought up from here -- if even the RIAA can't tell the difference between a decoy and a pirated file, what chance do the judges, let alone we the public have? The RIAA could be demanding settlement for one of the decoys they themselves uploaded! And let's not forget that MediaDefender themselves have been making these decoys available for download -- which, as the RIAA has vehemently stated over and over again, is illegal. The RIAA has, in fact, been employing the very methods they have been trying to outlaw and disprove in court. What does this spell out? It spells out that the very company that AVPAS and Odex has cited in their justification for their campaign is -- and in fact, has -- been looking extremely suspicious to those further informed.
That's all very well, you might say at this point, but surely these companies wouldn't engage in sue-'em-all campaigns if the industry wasn't losing money to begin with!
Is it? The truth is that no one is actually sure. Odex did mention that they had been suffering critical losses, and in the case of Ms. Thomas, a representative from SONY BMG (a record company under the RIAA) admitted that the lawsuits and settlement demands were in fact losing money for the RIAA, not raking it in.
But how dead is the industry, really? In the case of Odex, reports indicated that the Japanese animation industry had seen three consecutive years of growth, even though Odex claimed that the industry was bleeding to death as a result of fansubs. The RIAA themselves have never actually released any official statements about how much actual money they were losing as a result of downloads and filesharing; in fact studies have been done on the subject of how much filesharing has affected the music industry -- which has been found to be "virtually nil". And still the RIAA has yet to show any actual evidence that they have been losing money TO filesharing -- other studies show that satellite radios and video games may have also contributed to drawing the CD-buying crowd away from the stores.
How does all of this relate back to Odex? Let's take a look back at their statement in their clarification article: "In the US, companies that have taken legal action against downloaders have typically been awarded hundreds or thousands of dollars in statutory damages for each infringing work downloaded, in addition to recovery of their legal costs and expenses from these downloaders."
The truth is that there was only ONE case in which successful legal action was taken, and that was Ms. Thomas's case. Everything else was nothing but settlement letters, save for a brave few who tried to get the RIAA to push off, and a few DID manage to get them to push off, as well as start to sue them back for abusing copyright law amongst other charges. There never was any "awarding" of hundreds and thousands of dollars. It was nothing but private settlement after the RIAA managed to successfully intimidate families into paying them -- families with no legal experience or knowhow, families with no technological experience or knowhow -- families with no money to pay for the lawyers that could defend them and help their cases in court even if they didn't want to settle.
So what have we learned so far about the RIAA, besides what Odex has informed us about companies in the US? Let's review:
- The RIAA, like Odex, has a history of demanding settlement fees from families.
- The RIAA has been trying, like Odex, to criminalise download of files, and in the specific case of the RIAA, trying to criminalise the uploading of files too.
- The RIAA has been unable to prove that their IP harvesting methods are reliable.
- The RIAA has been unable to concretely prove all the disabled, single, computer-less, dead people they have sued were guilty of what they deemed as infringement.
- The RIAA in fact has been using IP spoofing and file uploading in conjunction with their campaigns to curb p2p filesharing.
- The RIAA has been unable to prove that the industry is dying as a whole due to p2p filesharing.
Without even mentioning the true piece of the pie that the artists represented by the RIAA actually get from all these record sales and lawsuits actually get, things are not looking very credible for the RIAA, the very company Odex seems to have used in their justification that what they have been doing is right. And as far as we have heard so far, nothing has come to light of the mechanics behind Odex's IP harvesting methods, or how much money they're officially losing. Ever since the judge had adjourned the first court session for Odex's appeal on October 3rd to allow for Odex to find more affidavits to support its case, nothing has been heard. Nothing has been heard of when the next hearing date is going to be.
For that matter, nothing has been heard from IPOS, the very local organisation in charge of protecting intellectual property holders, who alleges that "filesharing is not sharing -- it's, stealing", with regards the the entirety of the Odex saga. Neither has their "it's stealing" advertisement been seen on television these days.
What do we make of this? Honestly, to be on the safe side, you and I can make absolutely anything out of this so long as it remains within private, non-defamatory boundaries. Myself, so far I have only but taken Odex's own quotation, that they have a right to enjoy copyright protection like companies in the US, and declare legal consequences on people whom they find to have infringed those rights. I have only taken their word for it and taken a closer look at the companies that had been doing so, and discovered for myself that there is genuinely more to the lawsuits and settlement letters that meet the eye. I have collected this information with the aim of telling the truth to everyone who might hear it, hopefully to those who have yet to fully understand the Odex saga; that there is another side to this downloading argument besides ignorant children who have no idea what they are doing. We have to know all sides of this story before we can all make a unified, fair judgement.
And If Odex and the Japanese companies still insist that they do have a right to demand settlements from infringers and bring these infringers to court if the case need be? I'd like to bring to light a quote from Edgar Bronfman Jr, the chairman of the world's fourth largest music company, who was asked once on whether any of his seven kids 'stole' music, as the case was.
"I'm fairly certain that they have, and I'm fairly certain they've suffered the consequences," was the reply. "I explained to them what I believe is right, that the principle is that stealing music is stealing music. Frankly, right is right and wrong is wrong, particularly when a parent is talking to a child. A bright line around moral responsibility is very important. I can assure you they no longer do that."
Did his explanation involve settlement letters for pocket money, or bringing his own kids to court, or some legal punishment of any kind?
"I think I'll keep that within the family," defended Mr. Bronfman.
Will we be allowed to do that within the family? Will the anime community here continue to be branded as industry-denting criminals -- with their sympathesisers sharing the same fate? Will they continue to run the risk of being sued by the copyright holders (and the Japanese companies as well), as approved by law?
As long as Odex -- and IPOS -- continues to keep quiet, it's anyone's guess.
Disclaimer: The above post was the sole opinion of a civilian in Singapore and does not have any legal weightage in court since he lacks the qualifications in the first place.
Links:
http://www.wikipedia.org -- for general information and stuff, but careful what you read in there.
http://recordingindsutryvspeople.blogspot.com -- the weblog of a lawyer who fights for defences against RIAA's suing campaign.
Until early this year, Odex was a relatively unknown organisation, but it has not long ago been one of the few words hanging around everyone's lips when latest local issues came into discussions. Odex is one of the few distributors of Japanese animation in Singapore, and since early 2007, Odex had sparked off a legal campaign against anime fans downloading "fansubs".
What are fansubs? The word fansub essentially derives from "fan" and "subtitling", meaning anime that has been obtained by fans and subtitled according to their own translation, linguistic understanding, et cetera. But Odex has been claiming that these fansubs -- and the people who download them -- are in fact guilty of copyright infringement.
Odex's method of operation was simple: they hired an American company called BayTSP to hunt down IP addresses from BitTorrent, one of the more popular file-sharing applications currently available. They then went to the Internet Service Providers (ISPs) whom these addresses fell under, demanded customer information on all the IP addresses they harvested, and sent legal threats to the customers demanding that they settle, or be dragged to court for the crime of copyright infringement. Most of the recipients of these letters were pre-teens and slightly older adolescents.
Naturally, this sparked off a wave of anger and outrage at Odex; who were they to demand exorbitant fees of several thousand -- as Odex claimed it had the right to demand -- from children who didn't even have a job? It wasn't until Odex failed to get customer information from one ISP, PacificNet, that the onslaught pretty much stopped. The judge ruled that Odex was only the exclusive sublicensee of one anime title, and therefore had no prosecuting power. They also lacked enough concrete evidence to genuinely prove these kids guilty. Odex decided to appeal this decision, and brought in the CEO of BayTSP to explain his company's harvesting methods, as well as representatives of Japanese anime companies to back up their argument... which brings us where we are today.
Before we continue, I'd like to say right here, right now that I personally am no fan of anime (preferring the American brand of cartoon animation), but the whole copyright conundrum is something that I've been following for a good while now. Brushing aside the issues of Odex's actual dubbing quality, and the public relations backlash that Odex has had, let's take a REAL look at the truth behind all this legal warfare.
So claimed by the Anti-Video Piracy Association of Singapore (AVPAS), Odex has been authorised by AVPAS and the Japanese companies in question (including Toei and TV Tokyo) to legally demand settlement fees from people guilty of copyright infringement. Disregarding how old these "infringers" are, one must ask a question: Are these people even guilty of copyright infringement in the first place?
The whole gist of copyright law is to prevent people from taking ideas from other people and call it their own, or sell it as their own for commercial value, as stated under the World Trade Organisation TRIPS Agreement. This pretty much isn't what fansubbing, OR downloading fansubs is -- you don't see the fansubbing group Animesuki claim fees for their fansubs, do you? Neither do they toot their own horn and say that THEY did the animation. The same thing goes for the downloaders themselves; no money has been made out of fansubbing. No money is INTENDED to be made out of fansubbing.
Can it be called stealing, then? Singaporeans may be familiar with a recent campaign from the Intellectual Property Office of Singapore (IPOS), that "filesharing is not sharing, it's stealing". But the definition of stealing indicates that when you steal, you prevent someone from using the item which you're stealing. Which is, in fact, not the case -- both the provider and downloader have copies of the fansub which they downloaded.
You might think that still, the whole idea of "not paying" for something you want is wrong by principle. And that's perfectly reasonable, too. But there is a second side to the story that needs to be told before the parents start smacking their children's backsides for denting the industry.
Second side?
Yes, a second side.
AVPAS's site declares that "In the US, companies that have taken legal action against downloaders have typically been awarded hundreds or thousands of dollars in statutory damages for each infringing work downloaded, in addition to recovery of their legal costs and expenses from these downloaders." You might not notice it, but the truth is that there is a lot of untold fact that AVPAS forgot to mention.
As of now, the only companies that have taken legal action against downloaders in the US are record labels, all falling under the wing of the Recording Industry Association of America (RIAA) as well as a whole bunch of other similarly titled and purposed organisations worldwide -- CRIA (Canda), ARIA (Australia), IFPI (International, based in the UK) -- all fighting for the copyrights of the music artists they say they represent, and rightfully demanding "evil, hard-bitten criminal scum" (as put by "Weird Al" Yankovic's tune 'Don't Download This Song') to pay up or be legally dragged to court. Sounds like Odex, you might say, and you probably won't be far off the mark, considering that AVPAS mentioned US companies taking legal action against downloaders and the RIAA's the only company that's been doing just that. So what's wrong here, you might ask.
The actuality is that the RIAA has, besides children, been suing -- are you ready for this? -- disabled people, single mothers, university students, and in really extreme cases, dead people and families without a computer to speak of. How did they do it? By harvesting IP addresses, of course, and sending legal letters to the families involved, using a company called MediaDefender to do the reaping work for them by taking screenshots in filesharing applications to show that files were flowing to or from a certain IP address. They then look for these families, and demand settlements of hundreds to thousands of dollars, with the threat of dragging them to court if they didn't settle. That sounds really bad, you might say, but surely these people wouldn't be sued in the first place if the RIAA didn't already have conclusive evidence against them!
The truth?
They don't have it. The RIAA has never been able to prove that those people ever did download music, or in their recent cases, made songs available for download, which they consider to be copyright infringement too.
Most of the people who got RIAAed have settled, but there have been a few who did contest the RIAA's demands, and in most -- if not all -- of these cases, the RIAA always claims with expert backing that they "detected an individual" from a unique IP address; therefore they proved that a unique individual downloaded/uploaded music files that they owned the copyright for. This is where the logic starts becoming fuzzy and odd. What the RIAA saying is that they proved that an individual was using the computer to download/upload files by IP address alone. That's like saying you can prove who's driving a wanted car with tinted windows simply by taking a snapshot of the car! And what if the car was stolen? Does the original owner of the car become liable, then? RIAA logic states that since they consider uploading files for download is copyright infringement, you can be held liable for that, too!
You might have a point, you'd say, but aren't IP addresses unique for each computer? Hardly. There are ways of IP spoofing -- masquerading as another IP address to conceal identity, and experienced hackers are fully capable of doing it without leaving so much as a trace behind. You might not consider that concrete reasoning -- and you wouldn't be alone; the RIAA themselves have attempted to shoot down arguments like the one above. They managed to successfully demand $220,000 in USD from Jammie Thomas, a single mother liking in Duluth, Minnesota, after her lawyer failed to convince the jury in the court that Ms. Thomas could have been a victim of hacking, IP spoofing and other secret activity even she wasn't aware of. The RIAA insisted that Ms. Thomas made songs available for download, even when US copyright law never actually mentions that making files available for download constitutes as copyright infringement.
Of course, that's what the RIAA believes, or rather, what they want you to believe.
The truth is, the RIAA themselves have been using IP spoofing in their campaign to disrupt peer-to-peer (p2p) filesharing, or rather, MediaDefender has.
On September 14, 2007, an employee from MediaDefender forwarded over six thousand emails to an unstable Gmail account, which was invaded by an anti-MediaDefender group, calling themselves the MediaDefender-Defenders (MDD). Some of the emails indicated that MediaDefender had been hired by the RIAA to upload fake and corrupted versions of the files they owned the copyrights to, in order to disrupt the activity on p2p communities. MDD went into MediaDefender's database, which revealed that MediaDefender in fact had uploaded over 13.6 million "decoy files" to filesharing networks. Some of the other emails indicated that to do this, MediaDefender also had to spoof five million IP addresses to prevent their decoy uploading campaign from being blocked. In fact, some emails also mentioned that IFPI complained that a good handful of their cease-and-desist settlement letters were sent to the IP addresses from MediaDefender uploading decoy files, and that it was causing a lot of IFPI's time and effort to be wasted.
What does it all mean, you might be asking?
It means that the RIAA can't tell between the files that MediaDefender uploaded as decoys and the files that the real uploaders are putting up. Neither could they identify that the IP addresses that they had sent letters to were actually IP addresses spoofed by MediaDefender to upload decoy files. An issue can immediately be brought up from here -- if even the RIAA can't tell the difference between a decoy and a pirated file, what chance do the judges, let alone we the public have? The RIAA could be demanding settlement for one of the decoys they themselves uploaded! And let's not forget that MediaDefender themselves have been making these decoys available for download -- which, as the RIAA has vehemently stated over and over again, is illegal. The RIAA has, in fact, been employing the very methods they have been trying to outlaw and disprove in court. What does this spell out? It spells out that the very company that AVPAS and Odex has cited in their justification for their campaign is -- and in fact, has -- been looking extremely suspicious to those further informed.
That's all very well, you might say at this point, but surely these companies wouldn't engage in sue-'em-all campaigns if the industry wasn't losing money to begin with!
Is it? The truth is that no one is actually sure. Odex did mention that they had been suffering critical losses, and in the case of Ms. Thomas, a representative from SONY BMG (a record company under the RIAA) admitted that the lawsuits and settlement demands were in fact losing money for the RIAA, not raking it in.
But how dead is the industry, really? In the case of Odex, reports indicated that the Japanese animation industry had seen three consecutive years of growth, even though Odex claimed that the industry was bleeding to death as a result of fansubs. The RIAA themselves have never actually released any official statements about how much actual money they were losing as a result of downloads and filesharing; in fact studies have been done on the subject of how much filesharing has affected the music industry -- which has been found to be "virtually nil". And still the RIAA has yet to show any actual evidence that they have been losing money TO filesharing -- other studies show that satellite radios and video games may have also contributed to drawing the CD-buying crowd away from the stores.
How does all of this relate back to Odex? Let's take a look back at their statement in their clarification article: "In the US, companies that have taken legal action against downloaders have typically been awarded hundreds or thousands of dollars in statutory damages for each infringing work downloaded, in addition to recovery of their legal costs and expenses from these downloaders."
The truth is that there was only ONE case in which successful legal action was taken, and that was Ms. Thomas's case. Everything else was nothing but settlement letters, save for a brave few who tried to get the RIAA to push off, and a few DID manage to get them to push off, as well as start to sue them back for abusing copyright law amongst other charges. There never was any "awarding" of hundreds and thousands of dollars. It was nothing but private settlement after the RIAA managed to successfully intimidate families into paying them -- families with no legal experience or knowhow, families with no technological experience or knowhow -- families with no money to pay for the lawyers that could defend them and help their cases in court even if they didn't want to settle.
So what have we learned so far about the RIAA, besides what Odex has informed us about companies in the US? Let's review:
- The RIAA, like Odex, has a history of demanding settlement fees from families.
- The RIAA has been trying, like Odex, to criminalise download of files, and in the specific case of the RIAA, trying to criminalise the uploading of files too.
- The RIAA has been unable to prove that their IP harvesting methods are reliable.
- The RIAA has been unable to concretely prove all the disabled, single, computer-less, dead people they have sued were guilty of what they deemed as infringement.
- The RIAA in fact has been using IP spoofing and file uploading in conjunction with their campaigns to curb p2p filesharing.
- The RIAA has been unable to prove that the industry is dying as a whole due to p2p filesharing.
Without even mentioning the true piece of the pie that the artists represented by the RIAA actually get from all these record sales and lawsuits actually get, things are not looking very credible for the RIAA, the very company Odex seems to have used in their justification that what they have been doing is right. And as far as we have heard so far, nothing has come to light of the mechanics behind Odex's IP harvesting methods, or how much money they're officially losing. Ever since the judge had adjourned the first court session for Odex's appeal on October 3rd to allow for Odex to find more affidavits to support its case, nothing has been heard. Nothing has been heard of when the next hearing date is going to be.
For that matter, nothing has been heard from IPOS, the very local organisation in charge of protecting intellectual property holders, who alleges that "filesharing is not sharing -- it's, stealing", with regards the the entirety of the Odex saga. Neither has their "it's stealing" advertisement been seen on television these days.
What do we make of this? Honestly, to be on the safe side, you and I can make absolutely anything out of this so long as it remains within private, non-defamatory boundaries. Myself, so far I have only but taken Odex's own quotation, that they have a right to enjoy copyright protection like companies in the US, and declare legal consequences on people whom they find to have infringed those rights. I have only taken their word for it and taken a closer look at the companies that had been doing so, and discovered for myself that there is genuinely more to the lawsuits and settlement letters that meet the eye. I have collected this information with the aim of telling the truth to everyone who might hear it, hopefully to those who have yet to fully understand the Odex saga; that there is another side to this downloading argument besides ignorant children who have no idea what they are doing. We have to know all sides of this story before we can all make a unified, fair judgement.
And If Odex and the Japanese companies still insist that they do have a right to demand settlements from infringers and bring these infringers to court if the case need be? I'd like to bring to light a quote from Edgar Bronfman Jr, the chairman of the world's fourth largest music company, who was asked once on whether any of his seven kids 'stole' music, as the case was.
"I'm fairly certain that they have, and I'm fairly certain they've suffered the consequences," was the reply. "I explained to them what I believe is right, that the principle is that stealing music is stealing music. Frankly, right is right and wrong is wrong, particularly when a parent is talking to a child. A bright line around moral responsibility is very important. I can assure you they no longer do that."
Did his explanation involve settlement letters for pocket money, or bringing his own kids to court, or some legal punishment of any kind?
"I think I'll keep that within the family," defended Mr. Bronfman.
Will we be allowed to do that within the family? Will the anime community here continue to be branded as industry-denting criminals -- with their sympathesisers sharing the same fate? Will they continue to run the risk of being sued by the copyright holders (and the Japanese companies as well), as approved by law?
As long as Odex -- and IPOS -- continues to keep quiet, it's anyone's guess.
Disclaimer: The above post was the sole opinion of a civilian in Singapore and does not have any legal weightage in court since he lacks the qualifications in the first place.
Links:
http://www.wikipedia.org -- for general information and stuff, but careful what you read in there.
http://recordingindsutryvspeople.blogspot.com -- the weblog of a lawyer who fights for defences against RIAA's suing campaign.
Subscribe to:
Posts (Atom)